Arsenic & Old Lace
Costume Design Statement
Since the play takes place in the
beginning of the 1940s, most of the characters’ clothing needs to reflect the
Spartan efficiency of WWII fabric-saving clean lines. However, the Brewster
sisters are, as noted in both playwright’s notes and character dialogue are,
“as much a part of Victorian period as the house,” and therefore they maintain
a romantic softness the other characters lack. Teddy, likewise, hails from a
much more romantic era and his penchant for dressing the part – signing
clothes, safari clothes, tea time clothes – keeps him in this romantic halo. Their
colors and textures lean toward soft and muted in complementary tones to the
Victorian cloister around them.
Conversely, everyone from the
outside, including Mortimer, is completely contemporary and this makes their
presence in the house a bit jarring at they bring the harshness of the outside
world into the calm oasis of the time-locked home. Ingénues Mortimer and Elaine
wear clean, efficient lines; crisp, clean colors and are mostly up to date in
the latest fashion – although Mort’s clothes may reflect a bit of an “uncared
for” look. Elaine is “very smart for a minister’s daughter” with a contemporary
look that moves women out of a cloistered house and into the outside world. Mortimer,
ever the intellectual, cares much more about matters of the mind than about
fashion.
Meanwhile, evil villains Jonathan and
Einstein, while contemporary, are a few years out of date. Jonathan’s suit is
dark and menacing. Einstein, the comedy of the duo, needs to be a bit rumpled
and tattered. Also, his colors can be “friendlier” – distressed and textured
chocolates and taupes.
Police uniforms reflect the uber
efficiency and functionality of WWII soldier’s uniforms. Many functional
pockets and belts complemented by visible badges on both tunics and hats
reflect the fact that they are visible symbols of authority and keep the peace
mainly by their presence on every street corner. Likewise, Harper’s collar allows us to
immediately identify where he fits in society. His clean black lines and
timeless cleric’s togs help him blend into the Brewster’s world while allowing
him to walk comfortably out into the world.
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